Same old, same old?
Regrettably, even the tried and trusted hasn't remained wholly intact. Indy fans had been told that CGI wouldn't be overly prominent and that traditional stunts would maintain an authentic feel. Yet, despite numerous prior assurances from cast and crew, CGI sequences are in plentiful supply, and as awkward-looking as fans had feared. One particular sequence, showcasing a sword-fight between Williams and Spalko is particularly over-animated and whilst managing to look spectacular, loses all sense of peril.
Then there's a matter of unbelievable acts, which the fourth Indiana Jones movie is littered with. The spectacular opening sequence is immediately followed by a moment of over-imaginative story telling that sees Indy escape a nuclear explosion with the aid of a refrigerator.
There's a fine line between miraculous stunts that Indy can and cannot do. Sure, he can outrun a giant ball, he can escape being surrounded on a narrow bridge and he can outsmart a military tank with a horse and a few rocks. Nonetheless, escaping a nuclear blast is a step too far.
Similarly, a pulsating jungle-chase sequence could have been worthy of inclusion in any Indy movie, that is, if it wasn't interspersed with miraculous escapes. Williams swinging from tree to tree in Tarzan-esque fashion and Ravenwood driving straight off a cliff, onto a tree, and lowering herself safely down to the water, are just two of many stupendous scenes.
An area in which the movie does excel, is sound. Each and every one of our hero's punches are met with the familiar "thwack" we've become accustomed too, and Williams' stirring score is as pleasing as ever.
Williams' work aside, Indy fans will have wanted a lot more, and sadly, the Crystal Skull fails to deliver. The movie's numerous references to the much-loved trilogy prove to act only as a reminder of how brilliant the series once was.
The fourth Indiana Jones movie has been a long time coming, and is said to have been delayed on numerous occasions in search of a suitable script. Screenwriters such as M. Night Shyamalan and Frank Darabont had their attempted scripts rejected, and the movie finally settled with David Koepp's screenplay, adapted from George Lucas and Jeff Nathanson's story.
If, after 19 years of searching, this is the best they could come up with, we had better hope there isn't a fifth movie. Despite Ford's best efforts, Indiana Jones struggles to make us believe in a meandering plot that's better suited to Mulder and Scully.
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