The plot thickens
The most
interesting contrast is that of King Henry himself
(played by Eric Bana), from the young man who can be forgiven to
wanting to sow
his wild oats, to the slightly older, more desperate man torn between conscience
and
lust, and pursued by women who seem unable to provide him with the
royal heir
he truly needs, a man whose love is soured by manipulation, a man whose
ruthlessness
drives a woman to consider incest as a means to beget a child in the
belief it
will save her own pretty neck.
Despite
being fair of face, Henry VIII in this film certainly demonstrates why
he
managed to get through six wives, and reinforces why Mary wanted to
stay in the
countryside.
Deserving
of a mention is Catherine of Aragon (Ana Torrent),
whose straight back and wonderfully controlled emotions are enough to
instil
respect. While
her speech made to Anne
does have reminiscences of a Russell Crowe-style
‘husband-of-a-murdered-wife’
tirade, her righteous defence is a brilliant clash of two women, over
the
highest possible stakes, which is utterly watchable.
Overall, this
film is a real feast for the visual senses and
the emotional palette, whatever mood you happen to be in when you sit
down to
watch it. You’ll find yourself at the end of the film without
having been aware
of the time. Considering
the world in
which you are thrust is far removed from ours, where honour, reputation
and
marriage are absolutely key, the humanity of the acting and the very
identifiable roles involved, that traverse centuries, can make all of us
pay
attention.
The most
telling line is spoken by Lady Boleyn (Kristen
Scott Thomas), that stays with you after the final credits and
you’ve picked
your way through the fallen popcorn: ‘since when did ambition
become a virtue?’
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External Links
Official
movie website
The
Other Boleyn Girl
on IMDB