MP3 - A Long Player in Digital Audio
MORI Findings Show MP3 Will Continue To Play A Central Role In Downloading
Music From The Internet
Audio technology is continually evolving, making it hard to keep pace with
trends, but according to a recent survey by leading research house MORI, MP3
looks likely to remain at the forefront of digital audio. The results
showed that over 70 per cent of those surveyed believed that MP3 would
continue to be the main enabling software for downloading digital music, and
will be complemented and not replaced by other technologies.
These results are key to Creative Labs who commissioned the MORI survey in
order to gain a solid understanding of home audio technology trends.
Creative also wanted to determine to what extent the British public has
embraced digital music, by evaluating how established MP3 is in Britain and
assessing the public's attitude to the technology which could change the way
we listen to music forever.
Not only were the public surveyed, but Creative were also interested in the
IT journalist's opinion of the technology. Of those questioned, nearly 80
per cent envisage the British public using digital audio devices to make
their music collections more portable and easier to access. Rather than
limiting users to downloading single tracks from the Internet, MP3 enables
users to create entire virtual music collections on one device. This
suggests that in time the CD may become obsolete, making digital music the
definitive for audio entertainment.
The opinions of the IT journalists are reflected by the general public,
where over two thirds state they want to store music using a digital audio
device, and almost 40 per cent already prefer to store their music on a
digital audio player. These results show confidence in the technology, and
with such a high proportion of IT journalists labelling MP3 as the dominant
digital audio format, it looks like MP3 is likely to remain at the top of
digital audio for the foreseeable future.
"Fears that new technologies will be upgraded or replaced are often
concerns
for consumers. However, developments in digital audio are a certainty,"
Said
Duncan Jackson, director of retail Europe, Creative Labs.
"By giving current digital audio players the ability to support future
digital audio formats, as Creative have future proofed the DAP Jukebox,
consumers have the choice to upgrade their devices making digital music more
appealing for everyone."
-Ends-
About MORI and its Methodology:
Market and Opinion Research International (MORI) is the largest
independent,
full-service agency of its kind in the UK, with research expertise in many
specialist sectors. The organisation recently established an international
network of agencies across Europe, America, Africa and Asia. MORI is
comprised of various business areas, each of which has a team with
particular expertise in that field. These include: advertising and media;
banking and insurance; business-to-business; charities; consumer attitudes;
corporate communications; reputation and image; customer satisfaction;
education; environment; financial behaviour; health and pharmaceutical;
human resources; leisure; travel and tourism; national and local
government;
telecommunications; new media and IT; opinion leaders; political; public
relations; retail; social attitudes and behaviour; social policy;
transport;
and young people/children. MORI offers a number of research products and
services as well as tailored ad-hoc research.
About Creative Labs:
Creative (Nasdaq: CREAF) is the worldwide leader in digital entertainment
products for the personal computer and the Internet. Famous for its Sound
Blaster and for launching the multimedia revolution, Creative is now
driving
digital entertainment on the PC platform with products like its highly
acclaimed D.A.P Jukebox. The company's innovative hardware, proprietary
technology, applications and services leverage the Internet, enabling
consumers to experience high-quality digital entertainment -- anytime,
anywhere.
Founded in 1983, Creative Technology's corporate headquarters are based in
Singapore, with its European head office based in the UK. Creative Labs
Europe was established in 1993 to capture a bigger share of the growing
European Market potential. General Manager, Michael Sullivan put a fully
fledged European operation in place, with headquarters in Berkshire, UK.
Creative Labs Europe has grown nine-fold in the past three years with
subsidiaries in France, Spain, Portugal, Italy, Germany, UK, Benelux,
Denmark, Sweden and Poland. Creative's European Operations and Technical
Centre (EOTC) facility was officially opened on 19 July 1995 in Dublin,
Ireland. The EOTC acts as the central hub to Creative Labs' fast growing
European business, providing an efficient localised and customised product
supply for the European market and customer support to complement the
subsidiaries' activities in the several countries. The European operation
currently employs around 450 staff.
For further information, visit www.creativejukebox.com.
Research Summary:
For this survey, MORI interviewed 1,629 adults aged between 15 and 65
between 6 and 11 July 2000, and 60 IT journalists between 7 and 28 July
2000.
DAP Jukebox & MORI: Creative Labs
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